X Factor The Final (Saturday’s show)
Dec 13th
Blog written under immense time pressure. I’m actually supposed to be celebrating Christmas Day today. Long story. (I’m realizing that my dream job of live blogging for the Guardian might be slightly stressful. However, I’m convinced I would thrive under such pressure, Guardian Editor. I am sure you’re part of my readership).
Will someone also tell The Boyfriend that saying comments like “you have to write it quickly today. And it better be good as this is the Final. This is the culmination of all your posts! Oh and the http://myfizzypop.blogspot.com/ blog is linking to yours and you have nothing there! So hurry up” don’t help one bit.*
“First Audition” Song:
In the battle of best Judges’ reaction, Dannii stormed Round 1. Excellent natural crying, Dannii; Cheryl, good attempt, but you teetered on the edge desperation; Simon, you couldn’t be bothered to emote.
So, Olly got full on slutty she-vampire choreography, including innovative wiggling across the floor underneath straddling she-vampires; Joe got a gospel choir whilst swirling fake clouds surrounded his feet; and Stacey got…a stool. Stacey’s legs have been identified as a key selling point so were on prominent display; Olly alienated me the moment he mimed “writing on the wall”; and Joe sang the perfect song for his target audience, 70 year old grannies. I have made a commitment to buy The Boyfriend every Joe album ever released in recognition of his support of Joe: I am confident this will be just the one purchase.
Did anyone else notice that when Cheryl said in the VT that Joe had star quality she looked down in shame?
I’m sure everyone was also moved by the frequent references to Olly’s hideous life before the X Factor. He was forced to work in an office! How shocking/unbearable.
Duets:
The duets are the most telling element of the final as they show who Ultimate Puppet MasterSimon would like to win. Who can forget the infamous occassion last year where Alexandra Burke got possibly the best duet ever** with Beyonce, poor JLS got Westlife and haven’t-got-a-chance Eggnog got Boyzone?
Stacey & Buble:
Buble is technically the least special of the three Celebrity Dueters: however, his album is selling bucket loads, so this was not as weak a choice as one might think. Stacey and Buble turned out to be a fantastic pairing: the voices sounded brilliant together and their flirty performance looked natural and classy. I loved it.
(But when Stacey spoke to introduce Buble it made me wish again that she had done at least one Kate Nash speaking/singing performance this season. This would have been truly relevant/authentic/believable!)
Joe and George Michael:
My favourite bit of this: George walks on and starts performing. Joe grins like a maniac. A verse and chorus passes and Joe awkwardly starts to realize that George might not let him sing again. Joe mouths along quietly. The smile drops:
Still, in the bits that Joe and George did get to sing together this was a vocal tour de force. He’d still make a rubbish winner though.
**A close rival to this is Take That and Leona below. This also includes the best ever post performance celebrity duet interview (a less niche category than you’d think), where Gary Barlow tells Simon that he better not give Leona the usual shit album he has for previous winners.
Best Song From The Series (am drastically running out of time. It’s nearly Christmas lunch).
Stacey:
Not as good vocally as first time round, but that first time was my favourite song sung all season. So we’ll let her off.
Olly:
Great performance. But why are we always pretending it’s the 1920s when Olly performs? And did Louis just call Olly sexy?
Joe:
Meh. And that despite him using the microphone as an emotional crutch, which is usually a safe bet for me.
Third Place:
No! An Olly/Joe show is a hideous prospect. Olly singing The Climb?! No.
In honour of Stacey, I post the direction I wish she’d taken:
*But thank you to The Lovely Boyfriend for creating this new website for me and for the commitment to provide ongoing technical support.
X Factor: Week 9 Results (Michael Jackson & Judges' Choice)
Dec 6th
- I (tragically? you decide) worked out the average release date of the songs they all sang last night. It was 1978. Yes, 1978. That is how out of date the whole thing is.
- The Rihanna part of the group song got my attention, mainly as it was a song released this decade. For his behaviour in this group song (i.e. more mic throwing) Danyl had to go.
- For no apparent reason, half way through Lady Gaga’s performance of “Paparazzi” at the VMAs this year, gushes of fake blood suddenly appeared from her rib cage whilst she staggered around the stage. She then rose upwards dangling on a a rope, blood smeared across her face, wailing frantically, whilst a halo appeared behind her. I have loved Lady Gaga ever since.
- Apparently, for her performance tonight she asked for a lamb and some butterflies to join her on stage but Simon said no due to “health and safety”. Never have I disliked “health and safety” more. Instead she came as a transformer masquerading as a bat and sang in a giant bath with a loo beside her. Watching Dermot walk over to interview her whilst she still lay in giant bath wearing horns surrounded by dancers pretending to be dead was TV gold.
- Janet Jackson was the second act I ever saw in concert (Velvet Rope Tour 1997). Amazing. I wish she’d sung a medley of all her singles, but I was happy with half of “All For You” and not so happy with half of the new single that sounded like it had only three notes. Is it wrong to hate any song that mentions the word “party”? And how embarrassing when she had to run off stage after realizing the results were about to be announced and Dermot wasn’t going to interview her. Considering it was filmed yesterday, you’d think they could’ve cut that out.
- Simon Cowell on Danyl: “He’s a graceful..[awkward pause] loser”. What a shocker though: everyone was so sure Olly was a goner. I didn’t care if Danyl was arrogant in real life; my problem was his shouty over aggression in his performances, his nasal tone and enormous facial expressions.
- And when Simon looked grumpy like injustice had been done I kept thinking: that’s karma for getting rid of Sarah from Hollyoaks before her time!
PS. Oh god, it’s for reasons like this that Joe shouldn’t win.
X Factor: Week 9 Live Show (Michael Jackson & Judge’s Choice)
Dec 5th
Can I begin with some Cheryl Cole rage? Last year she was the star of the series, demonstrating honest but fair criticism with down to earth North Eastern likeability. This year she is still yet to say ANYTHING OF INTEREST.* She now no longer comments on singing ability, a performance, its relevance/believability, but instead the three most insightful things she’s said are “I couldn’t be prouder of you”, “you’re my little geordie popstar”, “I know how badly you want to be in the final”. It’s like she can’t be bothered to voice an opinion. Which is a shame. I say replace her with the awkward and amazing ginger haired one from Girls Aloud next year please.
Can I also just say how good every channel’s Christmas TV musical montage adverts are this year?
Cheeky Chappy:
1. Can You Feel It?
The odds of Olly going are 1:1. That’s not good is it? Do you get a pound back plus your pound, or just your pound back?
Despite that, I half liked it. The other half of me thought the performance seemed dated, with the dancers helpfully showing the colours of the rainbow that all-in-white Olly sang about; suddenly it all seemed a bit like a performance from a children’s TV show.
2. A song I’d never heard before but was actually quite catchy:
Now, I really liked this. Apart from the fit/dancing. Simon Cowell definitely told each act they had one special thing and that they should do it more frantically than ever before this week (see later Stacey’s big notes, Danyl’s performance fist gestures, and Joe’s very in tune-ness).
Olly has the energy Stacey lacks and the likeability Danyl doesn’t. He’s my favourite and of course he’s also the most likely to go.
Joe:
1. She’s Out Of My Life:
This was perhaps the most boring three minutes of my life. OK, that may be an exaggeration and he was more in tune than ever before. And yet still so boring. Somehow the emoting was more musical theatre than even the Lion King song was. And Louis “if that was on the radio you’d sell millions” – what a load of rubbish. A. That would never be on the radio. And B. it would sell about 3 copies after the fuss of the show’s died down.
Simon has decided he should win. I genuinely don’t know why Simon thinks Joe is marketable beyond his first single. I wait to be proved wrong. The Boyfriend did point out something of note, though: Joe’s the only contestant that doesn’t trend on Twitter. Which says a lot about his voters.
2. Open Arms:
Stacey:
1. The Way You Make Me Feel:
Stacey does the best VTs. When I set up my coaching business to teach reality TV contestants how to perfect the VT (plus post performance interview and reaction when getting through) I will use Stacey’s VTs as the archetypal example (along with this).
The performance was OK, interesting and understated. I liked the hat (BRING BACK RIKKI!) but she hid behind it, like a friend I had who used to hide behind her hair. I’m constantly waiting for her to let loose and maybe do a Christ-like gesture, like all good popstars do. (I think that when I write my overarching narrative there will be a whole blog post on Christ-like gestures in pop music, the most extreme example being this).
2. Somewhere:
The rumour was that Stacey was going to sing “You’ve Got The Love”, which would have been brilliant (not to mention bloody relevant/contemporary and probably believable). Whilst she didn’t fully convey the emotion of the song in her slightly blank facial expressions, those belting notes were amazing and powerful and will put her into the final.
I think tonight Stacey might have been modelled on someone else:
But whilst Stacey was good, when you watch this amazingness from last year you realize what a great Reality TV performance really is.
(I’ve learnt to be humble!) Danyl:
1. Man In The Mirror:
This song was Diana’s Vickers peak last year, where she was super innovative and performed with her back to the audience:
Back to Danyl and, apart from his typical overly aggressive performance, this was spot on. And also apart from the, ahem, climate change slide show. Trying to make Danyl seem nice by linking him to social cause is a step too far. Do I hope the papers will twist it and show how Danyl is somehow part responsible for killing polar bears? Maybe a little. And how badly did I want him to drop the microphone when he did this? So much it hurt.
2. I Have Nothing:
His hideous attempt to cry in his VT will be used in my School of Reality TV as perhaps the ultimate what to not do.
After that, it was hard to take any of it seriously. And the song was not good. He can sometimes sound unpleasantly nasal on the big notes. And it was boring.
Bottom 1:
Despite the odds, I say Danyl.
Mathematical formula says Olly. By miles.
*Ok, she said something interesting the week she said she “didn’t get” Danyl. That was good.
X Factor: Week 7 Results (George Michael & Wham week)
Nov 22nd
- Have I become desensitised or was the group performance of “Wake Me Up Before You Go Go” not utterly hideous? It had all the ingredients of being so, but somehow hovered around bearable.
- Taking my cynical hat off for one bullet point, I like that Reality TV has meant someone as unlikely as Susan Boyle now has a chance at a music career. Even if it also gave her a nervous breakdown. [EDIT: With further thought I'd disappointed. How much better would it have been if she'd have come back with a "Bleeding Love"/"Bad Boys" instead of that cover.]
- I think we’d have all preferred it if Mariah Carey had sung “All I Want For Christmas”. In fact I’d quite like it if she re-released “Fantasy/Dreamlover” (double A-side) every summer and “All I Want For Christmas” every December. Mariah had everything for her performance: the golden waterfall, the halo light, a gospel choir, indoor fireworks. It’s just a shame she doesn’t have the songs these days to match her voice. I refuse to acknowledge that she was miming and instead insist she can actually sing that well.
- Can I ever forgive her for the below remix (and video) though? Why is her eye sideways?
- My shocking mathematical formula was spot on! Sod my flawed instinct. I’m all Derren Brown.
- Why on earth did Twin Peaks choose “No Matter What” as their desperation song? Did they genuinely pick this? A song with singing and leaps between notes? Is it paranoid to suggest the Puppet Masters made them do this to ensure they’d go this time and save the show a small amount of credibility/believability/relevance?
- Having said that, Cheeky Chappy was quite out of tune too. And yet despite this, I still prefer him leaps and bounds to “very in tune” Joe and “normally in tune but occasionally wildly off tune” Danyl.
- In previous years, a winner has never been in the bottom 2 before. Which means, according to maths (which is my sole guide now), the winner is either Joe or Stacey. Please god let it be Stacey. Please. If Joe wins it will mean we’ve learnt nothing since 2001. Nothing! It would invalidate everything that the important victory of Will Young over Gareth Gates symbolised. Don’t let it happen people!!
- I now have a mint tea and am calm.
-I love Dannii. She’s getting rebellious against the Cowell. I think he might fire her, but still. I love her attitude.






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