X Factor 2010: a short list of observations to date

The Boyfriend has been on at me for not blogging. Apparently, if I keep on at this rate I will lose my Internet Following (my housemates and myfizzypop are dangling by a thread, apparently). Also The Guardian/The X Factor Magazine/Literary Agents* have not been calling with job offers/a column/J K Rowling-equivalent publishing deals. I guess a few more Blog posts won’t do any harm then.

I emerge from semi-retirement with The X Factor 2010: a short list of eleven observations to date. Yes, that’s right, the odd number of 11. Here goes: Read the rest of this entry »

X Factor: the five best performances of all time

We’ve had the first X Factor episode of 2010 and 2.5 – yes 2.5 – of my predictions have already materialised. That’s no.2, no.3 and half of no.8. (It looks like Joe Celery’s* album might not be gracing my CD shelves after all).

I’m going to save my main X Factor blogging for the Live Finals and, instead, this week I’ve been inspired by a recent Guardian article on the six best X Factor performances of all time. (I also figure that if I send the Guardian web traffic they might be more willing to approach me to Live Blog for them). However, I do feel the Guardian missed a few classics. So below are five more for inclusion. Read the rest of this entry »

What is the most depressing song of all time?

It’s my birthday next week* and I am doing karaoke. I have been mulling over my song choices. I’m currently considering “All I Want For Christmas Is You” (I don’t care it’s out of season). I’m also keen on “Bleeding Love”, but my friends are trying to steer me away, fearing it is ambitious. I’m choosing carefully as in the past I have been known to unintentionally pick songs that kill dead the mood of the private karaoke box. Which brings me nicely onto this week’s blog post.

My iPod has gained a bit of a reputation amongst my friends as being bloody depressing. My ill-fated “house party playlist” showed me that songs I think are uplifting floor fillers are to others more sit-down-and-ponder-existential-suffering. Note: Karma Police by Radiohead does not get the party started.

So, scrolling through my iPod, I decided to create a cheerful blog post about the most depressing songs of all time. There have been many lists before that contain the usual suspects (Gary Jules “Mad World”, The Verve “The Drugs Don’t Work””, REM “Everybody Hurts”) so I’ve gone for an alternative list. I’ve even divided them into nice categories for your convenience. Please do contribute your own suggestions and thoughts in the comments below.

Just plain depressing (but good):

Sia – “Breathe Me”

You probably wont know this song but might recognize the instrumental that starts at 4:27, which is used in any emotional TV musical montage worth watching, along with the instrumental in Desree’s “Kissing You”. It was used as the finale song in the brilliant “Six Feet Under”, which is worthy of a hundred blog posts in itself. If you haven’t seen the final episode then skip on, but this song accompanies perhaps the best six minutes ever shown on TV. In these last minutes we see the future death of each character, who you have got to know over six seasons. Alan Ball is so clever he even manages to make everything six. Brilliant TV and a fitting song. I blubbed for approximately 24 hours after watching. Proper ugly blubbing, like Alexandra Burke when she won X Factor.

 

 

Arcade Fire – “Cold Wind”

Another song discovered through the “Six Feet Under” soundtrack: this one’s used to accompany the disappearance of the main character’s wife who vanishes one day. The song itself is about a man disappearing and by the time the funereal organ starts and the background singers start chanting “dead, dead, dead” (some say it’s “hey, hey, hey”, but I’m sure it’s not) it has got bloody depressing. But great.

 

 

Songs That Try To Be Depressing But Actually Are Just Funny

Eternal – “Don’t You Love Me”

Who could forget Eternal’s apocalyptic vision of the social chaos the world was descending into in 1997? Eternal went all “let’s put social messaging in our songs” with potent lyrical content like “why does granny have to walk the streets?” and “child goes to the store for a loaf of bread/bullets flying all around his head”. The child choir is the icing on the cake.

 

 

Mel C – “If That Were Me”

Mel C’s enlightened song about homelessness. It contains the lyric “I couldn’t live without my phone/But you don’t even have a home”. Possibly. The. Worst. Lyric. Ever.

 

 Songs That No-One Else Finds Depressing But I Do:

The Foundations – “Build Me Up Buttercup”

I fully acknowledge that it is probably only me that finds this song soul achingly depressing. But I maintain that it is (in exclusively bad ways). There’s something about “Build Me Up Buttercup” that sums up every rubbish night out I had at university spent in a club I didn’t really want to be in, dancing to rubbish music with groups of people alternating between inappropriately snogging each other and crying. Those introductory bars are enough to make me shudder. Argh! This gets no video.

Sugababes – “About You Now”

An uplifting pop song (and the Sugababes’ best moment without Siobhan), this song was transformed for me by its inclusion in one of Hollyoaks’ better sequences. Now, before you laugh, Hollyoaks went through a stage a few years ago of breaking free of its trashy storylines about fit girls to produce some brilliant, innovative plots. One of the best, which should not have worked, was Max’s funeral. Steph, his widow, is a wannabe singer, but isn’t actually very good. When she stands up at Max’s funeral to sing “About You Now”, it absolutely *should* be hideous and silly. Instead, her a-cappella off key rendition is pretty touching, especially as the song sums up her regret at umm-ing and err-ing over Max before they got married.

Watch the brilliance here! It was the closest we got to making my housemate who never cries cry.

Songs That Are More Depressing Than They Seem:

David Gray – “The One I Love”

David Gray puts something into his chords that makes all his songs fill you with sad nostalgia. If any of my Internet Following is musically minded please do explain how he does this. “The One I Love”, my favourite of David’s songs, initially sounds like his most cheerful, with a chirpy jangly melody and the nice “tell the stars above/that you’re the one I love” chorus. Oh no no. Listen properly and you realize this song is actually sung by a man bleeding to death, hallucinating about his lover. Amazing.

 

 

Kelly Clarkson – “Because of You”

This song is obviously sad and on first listen seems like a typical power ballad sung by rejected ex. Oh no. In fact, it has some of the bleakest pop lyrics I know. Listen carefully and it’s actually about a child who’s been emotionally damaged by a parent (“I watched you die, I heard you cry/every night in your sleep/I was so young, you should have known better than to lean on me”). The song gets darker as the music builds, culminating with Kelly telling us how ashamed she is of her life because it’s so empty. Few pop songs go this bleak.

 

 

There are so many more I could have written about  (Mika’s “Happy Ending”, especially when the cuddly toys start crying in the video; George Michael’s “I Can’t Make You Love Me” – oh dear Lord, Peter Andre is releasing a version of this; Sinead O’Connor “Nothing Compares To You” – that one perfect tear in the video), but that’s enough for today. Glee is now on. To lighten the mood, I want to end with one of my favourite YouTube clips ever: Karen from Outnumbered pretending to be Gordon Ramsay and Nigella Lawson:

 

* Feel free to send me birthday emails/leave birthday comments/send presents. Or suggest karaoke songs.

Statistics – Christmas Number Ones

I’m going to admit something that I’m slightly ashamed of. I love statistics. And inspired by Joe Mcelderry’s slightly unnecessary revelation of heterosexuality this week, I’ve decided that I should proudly put it out there.

Today, against all odds, Joe was beaten to Christmas number 1 by Rage Against The Machine. It’s actually the second time an X Factor winner hasn’t claimed the Christmas number 1: Steve Brookstein didn’t either back in 2004, although that was because Simon Cowell delayed the release by a week so that Band Aid 20 could secure the number 1. (I hope this kind of knowledge is establishing me as a credible expert when it comes to popular culture, Literary Agent Flatmate? Even if I fear the deep statistical analysis that is to come will excite only myself).

What’s interesting this year are Joe’s sales compared to not only RATM but also previous winners*:

1 Rage Against The Machine 503k
2 Joe McElderry 451k

Previous winner’s first week sales:

2005: Shayne Ward: 742k

2008: Alexandra Burke: 576k

2006: Leona Lewis: 571k (and the most downloaded song of 2006)

2007: Leon Jackson: 275k

2004: Steve Brookstein: 250k

So, Leona, Alex and Shayne would’ve all beaten RATM whilst the other three boys wouldn’t have**. Interesting. It’s the first indication that Joe’s probably not going to have the success Alex and Leona did; however, some consolation for him, he might do better than Leon.

Shayne’s massive sales reveal that these stats aren’t a definitive guide to future success. I still maintain, however, that Shayne’s success is underplayed: his sophomore album Breathless reached number 2, beating Kylie’s big comeback album “X”, and selling over 450k. The campaign was only stopped short when they didn’t bother to release a third single, for no real reason (or because Syco were fixated on Leona).

Here are two other interesting Reality TV first week sales:

Will Young: “Evergreen/Anything Is Possible” (week one sales of 1.1 million):

No-one since has got anywhere close to Will Young’s week one sales of his first single (he outsold Leon, Steve and Joe’s week one sales in his first day). Even more, this wasn’t even at Christmas. It seems the magic of the first Pop Idol, where enormous viewing figures translated directly into unprecidented sales, will never quite be recreated.

Girls Aloud: “Sound of the Underground” (week one sales of 213k)

The other extreme: the lowest sales of the lot and yet they are the act (along with Will) who have had longevity. The figures are possibly low as there were two singles out from the show that year, Girls Aloud and their rival boyband One True Voice, splitting sales. Also, the song is as unchristmassy as they come. But it was an important and inspired choice as it set the group up as releasing slightly edgy, credible pop songs as opposed to, say, Hear’say. Incidentally, will I ever forgive Girls Aloud for this? A song about how the internet and texting is killing us?

 

Considering this year the X Factor final got more viewers than ever before, with 6 million votes registered for Joe, his sales are surprisingly low. In fact, approximately 0.75% of those who voted for him bought the single this week. Two other fascinating things: his download sales are much lower than Alex’s, suggesting his fanbase are a significantly older/younger demographic who don’t normally buy singles. Which may cause him to struggle in the long term. Secondly, even during the biggest Christmas number one battle, he’s still not trended on Twitter. 

Possibly it’s the song choice: though is the Climb much worse than It’s My Goal? Joe’s PR machine this week has also been wildly misjudged: the first day Cowell came out with a vicious attack on RATM  (annoying people more), the next day he wheeled out Cheryl Cole. When that didn’t work, he made Alexandra say something. And then Joe announces that he has finally bothered to listen to his rival’s song and that he thinks it’s so bad that Rage Against The Machine wouldn’t have made it to bootcamp. Oh god.

Whilst I’m here, the X Factor weekly voting stats have been released again this year which makes me tragically happy. Apart from the hilarious jokes that you can make about different acts topping each other in various weeks, what it mainly reveals is that the British public is almost entirely mad. More to come on this later…

*I’ve tried to be objective in my comments on Joe this week, as a loving gesture to the Boyfriend  (Joe McElderry caused two arguments between us this weekend. I hope you’re proud Joe).

**Popular consensus is that it’s easier for a boy to win these shows over girls, due to the theory that it’s mainly women that vote and that they tend to vote for male acts they fancy, whilst hating other successful women (I’m looking at you, Housemate Who Voted For Calvin On Strictly 15 times This Weekend). What’s interesting is that the four most successful winners of these shows – arguably Leona, Alexandra, Girls Aloud and Will Young - include just one man. And a gay one at that. Maybe this is a whole blog piece in itself?

X Factor: The Final (Sunday’s Show)

Disclaimer: writen at midnight after “Christmas Day”. Much food and alcohol consumed.

- So, we’re essentially back in 2002 right and it’s the final of Pop Idol: Will Young vs. Gareth Gates, when Simon thought that Gareth Gates was the next big superstar. However, the public defied Simon and decided that the much more interesting and relevant Will Young, who could inteligently interpret songs, was the winner. An important victory. Back to 2009 and the winner was the other way round. We’ve regressed. Even now, Joe isn’t trending on Twitter. It’ll be interesting to see how much his debut single sells this week: whether it’s Leona(571k)/Alex (576k) amounts or Leon (275k) amounts. This will be the first clue to how popular he might be…

- Whilst Olly sang “The Climb” almost entirely out of tune (as it was the Final, the Judges had to ignore the flat notes and convince us it was an incredible-never-heard-before-vocal), I sort of preferred his desperate, broken man version to Joe’s strangely soulless performance. As a contestant, Olly was interesting as it’s unusual to get someone good at the up tempo numbers but not so good at traditional ballads on the show. Literary Agent housemate also made a interesting comment that unlike the other contestants he actually leads the dancers. No mean feat.

- However, it seemed more likely that the Gospel Choir on “The Climb” would lead the contestants away: why were they dressed like hospital workers? They were here last year too, looking equally creepy. And that combined with the crazy cartoon silhouettes on the background of the weird house in the George Michael song? Fascinating: the X Factor entered a dark, intriguing place.

- Is it wrong to dislike Cheryl and Simon’s constant hugging of each other, like they’re a little gang against Dannii and Louis? It’s like playground bullies.

- Do we think they didn’t do the traditional “bring back the rubbish acts from the auditions” performance as this year one of the rubbish acts that would have normally been included actually got through and were lauded up as the best entertainment we’ve had in years?

-JLS and Alexandra: where to start. They smashed it. Why couldn’t it have been a three way thing with Leona joining in? Why can’t we just ignore the current contestants? Let’s go merrily into denial and remember last year instead. The clip below is amazing for so many reasons, which I will enumerate below (look, Guardian Editor and Literary Agent Housemate, I can use long words like enumerate and am therefore definitely worth approaching. This is my last X Factor blog post so I am not above desperate self-promotion):

1. Her crying is genuine, slightly ugly, proper fall on your knees wailing.

2. After losing, one of JLS misunderstands and thinks he is Obama and says something like “because of this moment, others have hope. Victory after Victory”.

3. When Dermot offers to show her her single Alex says “yes please” like a baby.

4. Despite breaking down mid song with perfect overwhelming emotion she recovers like a trouper and belts out enormous, epic notes. The other contestants are practically holding her up in the final notes.

5. Diana Vickers STILL has no shoes on.

- Oh my god, the voting stats are out. I’m fascinated. Worthy of a blog post in themselves I feel…

 - And now, what on earth do I blog about now? Please do suggest!

 
P.S. I’ve finally learnt how to spell Dannii!

X Factor: Week 5 Results (Movies)

-Wrong wrong wrong. But as soon as the bottom 2 were revealed it was clear this would happen (I said as much on Twitter).  There was no way Simon was going to remove the one act that is making millions tune in each week. His was a genius move. By keeping Jedward  in over one of the talented acts, the public will now turn on them with a vengeance and absolutely demand they leave in the next few weeks. So they will go soon, and therefore not ruin Simon’s franchise, but when they go the public will be delighted as it will definitely be their time (unlike now, where many people would turn off if they went). Hence, Simon gets a few more weeks of them pulling in the viewers without them being a real threat to a winner. And as Simon Cowell will no doubt say, it’s the publics’ fault they didn’t go tonight, not his. (I wonder if this all went through Simon Cowell’s head really quickly).

- However, I do quite hope it’s Danyl vs. Jedward next week and the judges keep Jedward in revenge to Simon.

- Danni’s hair is different in each show, which is amazing. Cheryl’s, however, made her look slightly like a king charles spaniel

- The Group Song reached new peaks of awkwardness. Summed up when Sideshow Bob was made to sing  the line “You PMS like a bitch, I should know”. This is taking gender swapping songs one step too far: IT ONLY  MAKES SENSE IF A GIRL SINGS IT. Lucie is 1/3 KatyPerry (with 1/3 Sarah From Hollyoaks and 1/3 Alanis Morissette) so it was eerie to see her sing this song.

- The Black Eyed Pees performance was marred by being just a bit strange. The illusion was slightly ruined by Fergie desperately gripping onto what looked like the end of a gym rope in order to stay on her half moon and also the series of pullies and hooks that you could occasionally see being pulled in the background.

- I first thought Leona was miming the chorus but then you realize that’s her actual voice and that she can actually sing, unlike most of the other acts they’ve had sing live. (Quite excitingly, she’s just requested to follow me on Twitter, which makes her my third celebrity follower after Max and OB from Hollyoaks). *Heads off to listen to Bleeding Love on loop*

- Please just get rid of the judges’ decision if it’s just going to go to deadlock each week.

P.S. My attempt at Stacey:

stacey